When converting D-Log or D-Log2 footage, the quality of your conversion matters. The standard LUTs provided by DJI can work as a quick preview, but they often introduce noticeable color issues, especially with D-Log footage. Skin tones, greens, saturation, and contrast can shift in ways that make the image harder to grade and less consistent from shot to shot.
BaseLUTs were built to give DJI shooters a more accurate and dependable conversion. If you want the best color from your Osmo Pocket 4P, BaseLUTs give you a stronger foundation than the default DJI LUTs, whether you are doing a quick edit or building a more polished color grade.
Developed for DaVinci Wide Gamut Workflows
BaseLUTs include dedicated D-Log and D-Log2 to DaVinci Wide Gamut conversions, giving you a cleaner starting point for color grading inside Resolve’s wider working color space. Apply the D-Log or D-Log2 to DWG LUT on your first node, then use our free DWG to Rec.709 conversion on your output node to finish the image. This gives you the flexibility of a DWG workflow while keeping your final Rec.709 image accurate, balanced, and ready to grade.
