ANALOG VISION STUDIO V2 – Essential Edition

• 45 LUT-based film emulation profiles for Lightroom

• 8 film stocks, 3 exposure levels per stock

• Built from real 35mm Frontier SP-3000 scans

• 140-patch ColorChecker Digital SG calibration

• Includes workflow presets + luminance-based grain

8 film stocks. 45 profiles.

Every film stock scanned on a Fuji Frontier SP-3000 and profiled at -1, 0, and +1 EV.

Portra 400
Ultramax 400
Gold 200
Kodacolor 100
ColorPlus 200
Fuji Velvia 100
Fuji Pro 400H
Ilford HP5+

Every image on this page was edited exclusively with Analog Vision Studio V2 profiles from the Essentials Pack and the included Workflow Presets for grain and minor tonal adjustments. No additional editing was applied. Shot on Sony, Fuji, Leica and other camera systems. All profiles were developed from actual 35mm Frontier scans of 140-patch color charts under controlled, daylight-balanced lighting. Each film stock comes with three exposure levels: +1 EV delivers softer, lifted shadows with clean midtones and highlights, 0 EV is the balanced baseline, and -1 EV pushes contrast with deeper blacks and more punch. Three levels, one right fit for every image.

Why these profiles aren’t presets.

PRESETS · SLIDER ADJUSTMENTS

8 HSL sliders. That’s the ceiling.

A preset adjusts Lightroom’s sliders: HSL values, tone curves, saturation. These adjustments sit on top of however Lightroom has already interpreted your RAW file. The entire color control surface a preset can work with is limited to 8 hue channels. Apply it to a different scene and it falls apart, because it’s fighting the same 8 sliders against completely different source data.

PROFILES · 3D LUT COLOR TRANSFORM

Thousands of mapped color points.

A LUT-based profile maps thousands of individual color data points in a three-dimensional grid. For every color input, there is a precise color output. The color and tonal response of the film stock gets baked directly into your image at the end of the processing chain. Adobe’s RAW engine first neutralizes sensor data across different camera brands into a standardized color space. The profile then applies its color transformation on top of that neutral base. This is why profiles work accurately and consistently across different cameras and scenes.

CALIBRATION

Most film profiles use 24 patches.
I use 140.

The difference between interpolation and measurement.

24 INDUSTRY STANDARD COLORCHECKER CLASSIC

140 ESSENTIALS CALIBRATION COLORCHECKER DIGITAL SG

6x MORE COLOR DATA
14 SKIN TONE PATCHES
3 EXPOSURE LEVELS

WORKFLOW

Three steps. Sixty seconds.

I Select Your Film Profile
Choose a film profile from the Profile Browser in Lightroom. Each profile transforms the color output of your image using a 3D LUT derived from real film scan data. Pick your stock, pick your exposure level, and the foundation of your edit is set.

II Set the Intensity
Apply the profile and adjust the Amount slider to taste. Profiles are designed to work at 100%, but the full 0-200 range lets you fine-tune the strength depending on scene, light, and subject.

III Refine with Workflow Tools (Optional)
Film scanning and handprinting introduce subtle variations through automation, color dials, and tonal decisions. The included workflow presets replicate and correct these variables. Add luminance-based grain presets for authentic film texture. Quick, controlled refinements without breaking the film’s character.

Homepage

Report broken link

Please complete the required fields.

Your Name

Email

Reason (required)
This post contains broken links Post has incorrect information Post has spam Copyright Issue Other

Description

Submit